Chapter 5

The following spring Naomi gave birth to twin boys. With these twins really started the epic of her maternity. She was not to be one of those women for whom motherhood is a little song of baby shoes and blue sashes, and games and kisses and rockings to sleep. Hers was altogether a sterner business, her part in a battle—it was motherhood for a definite purpose, man and woman taking a leaf out of nature's book, playing her game to their own advantage, using her methods only to crush her at last. In a word it was epic—and the one drawback was that Naomi had never been meant for an epic part in life. She of all women had been meant for baby shoes and blue sashes, and here she was with her shoulder against Reuben's, helping him in the battle which even he found hard....

However, as yet there were few misgivings. That faintness of spirit which had come over her during the last few months of her pregnancy, faded like a ghost in the first joyous days of her deliverance. Reuben's pride, delight, and humble gratitude were enough to make any woman happy, even without those two dear fat little babies which the doctor said were the finest twins he had ever seen. Naomi was one of those women who, even without very strong maternal instincts, cannot resist a baby. The soft limbs, the big downy heads, the groping wet mouths of her boys were a sheer physical delight to her. She even forgot to regret that one of them was not a girl.

She made a quick recovery, and Robert and Peter were christened at Easter-time. Naomi looked every inch the proud mother. Her slight figure had acquired more matronly lines, and she even affected a more elderly style of dress. For some time afterwards, proud and beloved, she really felt that motherhood was her vocation, and when in the course of the summer she[Pg 90] realised that her experiences were to be repeated, she was not so sorry as she had been before. She hoped desperately it would be a girl—but this time said nothing to Reuben.

Once more her attitude towards him had changed. She no longer felt the timid passion of the first months after her marriage, but she also no longer felt that sinister dread and foreboding which had succeeded it. She looked upon him less as her husband, inspiring alternately love and terror, than as the father of her children. She saw him, so to speak, through them. She loved him because they were his as well as hers. She spoke less of "I" and "he," and more of "us," "we," and "ours."

All the same she was bitterly disappointed when the following year another boy was born. She sobbed into her pillow, and even Reuben's delight and little Richard's soft kicks against her breast, could not comfort her. In fact she felt secretly angry with Reuben for his joy. He did not think of her and what she wanted. He thought only of his dirty old farm, and that dreary, horrible Boarzell.

As time wore on, and her hopes were once more roused, she became quite obsessed by the idea of having a girl. She thought of nothing but the little frocks, the ribbons with which she would tie the pretty hair. She pictured the times she and her daughter would have together, the confidences they would exchange—for old Mrs. Backfield grew more and more silent and unreceptive, and her neighbours were not of her mould. They would tell each other everything ... she had dreams of an impossible little pink-and-white girl like a doll, with golden curls and blue eyes and a white muslin frock. In her dreams she would stretch out her arms to this ached-for child, and would wake sobbing, with the tears running down her face.

Then, at last, after experiences which had had [Pg 91]boredom added to their pain by repetition, she murmured—"What is it, mother?"—and a real, breathing, living, crying, little girl was put into her arms.