Justine (1957) Part III Chapter 3

That autumn, when we struck camp and returned to the city for its winter season, nothing had been decided; the feeling of crisis had even diminished. We were all held there, so to speak, in the misty solution of everyday life out of which futurity was to crystallize whatever drama lay ahead. I was called upon to begin my new job for Scobie and addressed myself helplessly to the wretched boustrophedon upon which Balthazar continued to instruct me, in between bouts of chess. I admit that I tried to allay my pangs of conscience in the matter by trying at first to tell Scobie’s office the truth — namely that the Cabal was a harmless sect devoted to Hermetic philosophy and that its activities bore no reference to espionage. In answer to this I was curtly told that I must not believe their obvious cover-story but must try to break the code. Detailed reports of the meetings were called for and these I duly supplied, typing out Balthazar’s discourses on Ammon and Hermes Trismegistus with a certain peevish pleasure, imagining as I did so the jaded government servants who have to wade through the stuff in damp basements a thousand miles away. But I was paid and paid well; for the first time I was able to send Melissa a little money and to make some attempt to pay Justine what I owed her. It was interesting, too, to discover which of my acquaintances were really part of the espionage grape-vine. Mnemjian, for example, was one; his shop was a clearing-post for general intelligence concerning the city, and was admirably chosen. He performed his duties with tremendous care and discretion, and insisted on shaving me free of charge; it was disheartening to learn much later on that he patiently copied out his intelligence summaries in triplicate and sold copies to various other intelligence services. Another interesting aspect of the work was that one had the power to order raids to be made on the house of one’s friends. I enjoyed very much having Pombal’s apartment raided. The poor fellow had a calamitous habit of bringing official files home to work on in the evening. We captured a whole set of papers which delighted Scobie for they contained detailed memoranda upon French influence in Syria, and a list of French agents in the city. I noticed on one of these lists the name of the old furrier, Cohen. Pombal was badly shaken by this raid and went about looking over his shoulder for nearly a month afterwards, convinced that he was being shadowed. He also developed the delusion that one-eyed Hamid had been paid to poison him and would only eat food cooked at home after I had first tasted it. He was still waiting for his cross and his transfer and was very much afraid that the loss of the files would prejudice both, but as we had thoughtfully left him the classification-covers he was able to return them to their series with a minute to say that they had been burnt ‘according to instructions’. He had been having no small success lately with his carefully graduated cocktail-parties — into which he occasionally introduced guests from the humbler spheres of life like prostitution or the arts. But the expense and boredom were excruciating and I remember him explaining to me once, in tones of misery, the origin of these functions. ‘The cocktail-party — as the name itself indicates — was originally invented by dogs. They are simply bottomsniffings raised to the rank of formal ceremonies.’ Nevertheless he persevered in them and was rewarded by the favours of his Consul-General whom, despite his contempt, he still regarded with a certain childish awe. He even persuaded Justine, after much humorous pleading, to put in an appearance at one of these functions in order to further his plans for crucifixion. This gave us a chance to study Pordre and the small diplomatic circle of Alexandria — for the most part people who gave the impression of being painted with an air-brush, so etiolated and diffused did their official personalities seem to me. Pordre himself was a whim rather than a man. He was born to be a cartoonist’s butt. He had a long pale spoiled face, set off by a splendid head of silver hair which he used to affect. But it was a lackey’s countenance. The falseness of his gestures (his exaggerated solicitude and friendship for the merest acquaintances) grated disagreeably and enabled me to understand both the motto my friend had composed for the French Foreign Office and also the epitaph which he once told me should be placed on the tomb of his Chief. (‘His mediocrity was his salvation.’) Indeed, his character was as thin as a single skin of gold leaf — the veneer of culture which diplomats are in a better position to acquire than most men. The party went off to perfection, and a dinner invitation from Nessim threw the old diplomat into a transport of pleasure which was not feigned. It was well known that the King was a frequent guest at Nessim’s table and the old man was already writing a despatch in his mind which began with the words: ‘Dining with the King last week I brought the conversation round to the question of …. He said … I replied….’ His lips began to move, his eyes to unfocus themselves, as he retired into one of those public trances for which he was famous, and from which he would awake with a start to astonish his interlocutors with a silly cod’s smile of apology. For my part I found it strange to revisit the little tank-like flat where I had passed nearly two years of my life; to recall that it was here, in this very room, that I had first encountered Melissa. It had undergone a great transformation at the hands of Pombal’s latest mistress. She had insisted upon its being panelled and painted off-white with a maroon skirting-board. The old arm-chairs whose stuffing used to leak slowly out of the rents in their sides had been re-upholstered in some heavy damask material with a pattern of fleur-de-lis while the three ancient sofas had been banished completely to make floor-space. No doubt they had been sold or broken up. ‘Somewhere’ I thought in quotation from a poem by the old poet, ‘somewhere those wretched old things must still be knocking about.’ How grudging memory is, and how bitterly she clutches the raw material of her daily work. Pombal’s gaunt bedroom had become vaguely fin de siècle and was as clean as a new pin. Oscar Wilde might have admitted it as a set for the first act of a play. My own room had reverted once more to a box-room, but the bed was still there standing against the wall by the iron sink. The yellow curtain had of course disappeared and had been replaced by a drab piece of white cloth. I put my hand to the rusted frame of the old bed and was stabbed to the heart by the memory of Melissa turning her candid eyes upon me in the dusky half-light of the little room. I was ashamed and surprised by my grief. And when Justine came into the room behind me I kicked the door shut and immediately began to kiss her lips and hair and forehead, squeezing her almost breathless in my arms lest she should surprise the tears in my eyes. But she knew at once, and returning my kisses with that wonderful ardour that only friendship can give to our actions, she murmured: ‘I know. I know.’ Then softly disengaging herself she led me out of the room and closed the door behind us. ‘I must tell you about Nessim’ she said in a low voice. ‘Listen to me. On Wednesday, the day before we left the Summer Palace, I went for a ride alone by the sea. There was a big flight of herring-gulls over the shoreline and all of a sudden I saw the car in the distance rolling and scrambling down the dunes towards the sea with Selim at the wheel. I couldn’t make out what they were doing. Nessim was in the back. I thought she would surely get stuck, but no: they raced down to the water’s edge where the sand was firm and began to speed along the shore towards me. I was not on the beach but in a hollow about fifty yards from the sea. As they came racing level with me and the gulls rose I saw that Nessim had the old repeating-gun in his hands. He raised it and fired again and again into the cloud of gulls, until the magazine was exhausted. Three or four fell fluttering into the sea, but the car did not stop. They were past me in a flash. There must have been a way back from the long beach to the sandstone and so back on to the main road because when I rode in half an hour later the car was back. Nessim was in his observatory. The door was locked and he said he was busy. I asked Selim the meaning of this scene and he simply shrugged his shoulders and pointed at Nessim’s door. “He gave me the orders” was all he said. But, my dear, if you had seen Nessim’s face as he raised the gun….’ And thinking of it she involuntarily raised her long fingers to her own cheeks as if to adjust the expression on her own face. ‘He looked mad.’ In the other room they were talking politely of world politics and the situation in Germany. Nessim had perched himself gracefully on Pordre’s chair. Pombal was swallowing yawns which kept returning distressingly enough in the form of belches. My mind was still full of Melissa. I had sent her some money that afternoon and the thought of her buying herself some fine clothes — or even spending it in some foolish way — warmed me. ‘Money’ Pombal was saying playfully to an elderly woman who had the appearance of a contrite camel. ‘One should always make sure of a supply. For only with money can one make more money. Madame certainly knows the Arabic proverb which says: “Riches can buy riches, but poverty will scarcely buy one a leper’s kiss.” ’ ‘We must go’ said Justine, and staring into her warm dark eyes as I said good-bye I knew that she divined how full of Melissa my mind was at the moment; it gave her handshake an added warmth and sympathy. I suppose it was that night, while she was dressing for dinner that Nessim came into her room and addressed her reflection in the spade-shaped mirror. ‘Justine’ he said firmly, ‘I must ask you not to think that I am going mad or anything like that but — has Balthazar ever been more than a friend to you?’ Justine was placing a cigale made of gold on the lobe of her left ear; she looked up at him for a long second before answering in the same level, equable tone: ‘No, my dear.’ ‘Thank you.’ Nessim stared at his own reflection for a long time, boldly, comprehensively. Then he sighed once and took from the waistcoatpocket of his dress-clothes a little gold key, in the form of an ankh. ‘I simply cannot think how this came into my possession’ he said, blushing deeply and holding it up for her to see. It was the little watch-key whose loss had caused Balthazar so much concern. Justine stared at it and then at her husband with a somewhat startled air. ‘Where was it?’ she said. ‘In my stud-box.’ Justine went on with her toilette at a slower pace, looking curiously at her husband who for his part went on studying his own features with the same deliberate rational scrutiny. ‘I must find a way of returning it to him. Perhaps he dropped it at a meeting. But the strange thing is….’ He sighed again. ‘I don’t remember.’ It was clear to them both that he had stolen it. Nessim turned on his heel and said: ‘I shall wait for you downstairs.’ As the door closed softly behind him Justine examined the little key with curiosity.

 ***** At this time he had already begun to experience that great cycle of historical dreams which now replaced the dreams of his childhood in his mind, and into which the City now threw itself — as if at last it had found a responsive subject through which to express the collective desires, the collective wishes, which informed its culture. He would wake to see the towers and minarets printed on the exhausted, dust-powdered sky, and see as if en montage on them the giant footprints of the historical memory which lies behind the recollections of individual personality, its mentor and guide: indeed its inventor, since man is only an extension of the spirit of place. These disturbed him for they were not at all the dreams of the night-hours. They overlapped reality and interrupted his waking mind as if the membrane of his consciousness had been suddenly torn in places to admit them. Side by side with these giant constructions — Palladian galleries of images drawn from his reading and meditation on his own past and the city’s — there came sharper and sharper attacks of unreasoning hatred against the very Justine he had so seldom known, the comforting friend and devoted lover. They were of brief duration but of such fierceness that, rightly regarding them as the obverse of the love he felt for her, he began to fear not for her safety but for his own. He became afraid of shaving in the sterile white bathroom every morning. Often the little barber noticed tears in the eyes of his subject as he noiselessly spread the white apron over him. But while the gallery of historical dreams held the foreground of his mind the figures of his friends and acquaintances, palpable and real, walked backwards and forwards among them, among the ruins of classical Alexandria, inhabiting an amazing historical space-time as living personages. Laboriously, like an actuary’s clerk he recorded all he saw and felt in his diaries, ordering the impassive Selim to type them out. He saw the Mouseion, for example, with its sulky, heavily-subsidized artists working to a mental fashion-plate of its founders: and later among the solitaries and wise men the philosopher), patiently wishing the world into a special private state useless to anyone but himself — for at each stage of development each man resumes the whole universe and makes it suitable to his own inner nature: while each thinker, each thought fecundates the whole universe anew. The inscriptions on the marbles of the Museum murmured to him as he passed like moving lips. Balthazar and Justine were there waiting for him. He had come to meet them, dazzled by the moonlight and drenching shadow of the colonnades. He could hear their voices in the darkness and thought, as he gave the low whistle which Justine would always recognize as his: ‘It is mentally vulgar to spend one’s time being so certain of first principles as Balthazar is.’ He heard the elder man saying: ‘And morality is nothing if it is merely a form of good behaviour.’ He walked slowly down through the arches towards them. The marble stones were barred with moonlight and shadow like a zebra. They were sitting on a marble sarcophagus-lid while somewhere in the remorseless darkness of the outer court someone was walking up and down on the springy turf lazily whistling a phrase from an aria of Donizetti. The gold cigales at Justine’s ears transformed her at once into a projection from one of his dreams and indeed he saw them both dressed vaguely in robes carved heavily of moonlight. Balthazar in a voice tortured by the paradox which lies at the heart of all religion was saying: ‘Of course in one sense even to preach the gospel is evil. This is one of the absurdities of human logic. At least it is not the gospel but the preaching which involves us with the powers of darkness. That is why the Cabal is so good for us; it posits nothing beyond a science of Right Attention.’ They had made room for him on their marble perch but here again, before he could reach them the fulcrum of his vision was disturbed and other scenes gravely intervened, disregarding congruence and period, disregarding historic time and common probability. He saw so clearly the shrine the infantry built to Aphrodite of the Pigeons on that desolate alluvial coast. They were hungry. The march had driven them all to extremities, sharpening the vision of death which inhabits the soldier’s soul until it shone before them with an unbearable exactness and magnificence. Baggage-animals dying for lack of fodder and men for lack of water. They dared not pause at the poisoned spring and wells. The wild asses, loitering so exasperatingly just out of bowshot, maddened them with the promise of meat they would never secure as the column evolved across the sparse vegetation of that thorny coast. They were supposed to be marching upon the city despite the omens. The infantry marched in undress though they knew it to be madness. Their weapons followed them in carts which were always lagging. The column left behind it the sour smell of unwashed bodies — sweat and the stale of oxen: Macedonian slingers-of-theline farting like goats. Their enemies were of a breath-taking elegance — cavalry in white armour which formed and dissolved across the route of their march like clouds. At close range one saw they were men in purple cloaks, embroidered tunics and narrow silk trousers. They wore gold chains round their intricate dark necks and bracelets on their javelin-arms. They were as desirable as a flock of women. Their voices were high and fresh. What a contrast they offered to the slingers, case-hardened veterans of the line, conscious only of winters which froze their sandals to their feet or summers whose sweat dried the leather underfoot until it became as hard as dry marble. A gold bounty and not passion had entrained them in this adventure which they bore with the stoicism of all wage-earners. Life had become a sexless strap sinking deeper and ever deeper into the flesh. The sun had parched and cured them and the dust had rendered them voiceless. The brave plumed helmets with which they had been issued were too hot to wear at midday. Africa, which they had somehow visualized as an extension of Europe — an extension of terms, of references to a definitive past — had already asserted itself as something different: a forbidding darkness where the croaking ravens matched the dry exclamations of spiritless men, and rationed laughter fashioned from breath simply the chittering of baboons. Sometimes they captured someone — a solitary frightened man out hunting hares — and were amazed to see that he was human like themselves. They stripped his rags and stared at human genitals with an elaborate uncomprehending interest. Sometimes they despoiled a township or a rich man’s estate in the foothills, to dine on pickled dolphin in jars (drunken soldiers feasting in a barn among the oxen, unsteadily wearing garlands of wild nettles and drinking from captured cups of gold or horn). All this was before they even reached the desert…. Where the paths had crossed they had sacrificed to Heracles (and in the same breath murdered the two guides, just to be on the safe side); but from that moment everything had begun to go wrong. Secretly they knew they would never reach the city and invest it. And God! Never let that winter bivouac in the hills be repeated. The fingers and noses lost by frostbite! The raids! In his memory’s memory he could still hear the squeaking munching noise of the sentry’s footsteps all winter in the snow. In this territory the enemy wore fox-skins on their heads in a ravenous peak and long hide tunics which covered their legs. They were silent, belonging uniquely as the vegetation did to these sharp ravines and breath-stopping paths of the great watershed. With a column on the march memory becomes an industry, manufacturing dreams which common ills unite in a community of ideas based on privation. He knew that the quiet man there was thinking of the rose found in her bed on the day of the Games. Another could not forget the man with the torn ear. The wry scholar pressed into service felt as dulled by battle as a chamberpot at a symposium. And the very fat man who retained the curious personal odour of a baby: the joker, whose sallies kept the vanguard in a roar? He was thinking of a new depilatory from Egypt, of a bed trade-marked Heracles for softness, of white doves with clipped wings fluttering round a banqueting table. All his life he had been greeted at the brothel door by shouts of laughter and a hail of slippers. There were others who dreamed of less common pleasures — hair dusty with white lead, or else schoolboys in naked ranks marching two abreast at dawn to the school of the Harpmaster, through falling snow as thick as meal. At vulgar country Dionysia they carried amid roars the giant leather phallus, but once initiated took the proffered salt and the phallus in trembling silence. Their dreams proliferated in him, and hearing them he opened memory to his consciousness royally, prodigally, as one might open a major artery. It was strange to move to Justine’s side in that brindled autumn moonlight across such an unwholesome tide of memories: he felt his physical body displacing them by its sheer weight and density. Balthazar had moved to give him room and he was continuing to talk to his wife in low tones. (They drank the wine solemnly and sprinkled the lees on their garments. The generals had just told them they would never get through, never find the city.) And he remembered so vividly how Justine, after making love, would sit cross-legged on the bed and begin to lay out the little pack of Tarot cards which were always kept on the shelf among the books — as if to compute the degree of good fortune left them after this latest plunge into the icy underground river of passion which she could neither subdue nor slake. (‘Minds dismembered by their sexual part’ Balthazar had said once ‘never find peace until old age and failing powers persuade them that silence and quietness are not hostile.’) Was all the discordance of their lives a measure of the anxiety which they had inherited from the city or the age? ‘Oh my God’ he almost said. ‘Why don’t we leave this city, Justine, and seek an atmosphere less impregnated with the sense of deracination and failure?’ The words of the old poet came into his mind, pressed down like the pedal of a piano, to boil and reverberate around the frail hope which the thought had raised from its dark sleep.* ‘My problem’ he said to himself quietly, feeling his forehead to see if he had a fever ‘is that the woman I loved brought me a faultless satisfaction which never touched her own happiness’: and he thought over all the delusions which were now confirming themselves in physical signs. I mean: he had beaten Justine, beaten her until his arm ached and the stick broke in his hands. All this was a dream of course. Nevertheless on waking he had found his whole arm aching and swollen. What could one believe when reality mocked the imagination by its performance? At the same time, of course, he fully recognized that suffering, indeed all illness, was itself an acute form of self-importance, and all the teachings of the Cabal came like a following wind to swell his self-contempt. He could hear, like the distant reverberations of the city’s memory, the voice of Plotinus speaking, not of flight away from intolerable temporal conditions but towards a new light, a new city of Light. ‘This is no journey for the feet, however. Look into yourself, withdraw into yourself and look.’ But this was the one act of which he now knew himself for ever incapable. It is astonishing for me, in recording these passages, to recall how little of all this interior change was visible on the surface of his life — even to those who knew him intimately. There was little to put one’s finger on — only a sense of hollowness in the familiar — as of a well-known air played slightly out of key. It is true that at this period he had already begun to entertain with a prodigality hitherto unknown to the city, even among the richest families. The great house was never empty now. The great kitchen-quarters where we so often boiled ourselves an egg or a glass of milk after a concert or a play — dusty and deserted then — were now held, by a permanent garrison of cooks, surgical and histrionic, capped in floury steeples. The upper rooms, tall staircase, galleries and salons echoing to the mournful twining of clocks were patrolled now by black slaves who moved as regally as swans about important tasks. Their white linen, smelling of the goose-iron, was spotless — robes divided by scarlet sashes punctuated at the waist by clasps of gold fashioned into turtles’ heads: the rebus Nessim had chosen for himself. Their soft porpoise eyes were topped by the conventional scarlet flower-pots, their gorilla hands were cased in white gloves. They were as soundless as death itself. If he had not so far outdone the great figures of Egyptian society in lavishness he might have been thought to be competing with them for advancement. The house was perpetually alive to the cool fern-like patterns of a quartet, or to the foundering plunge of saxophones crying to the night like cuckolds. The long beautiful reception-rooms had been pierced with alcoves and unexpected corners to increase their already great seating-capacity and sometimes as many as two or three hundred guests sat down to elaborate and meaningless dinners — observing their host lost in the contemplation of a rose lying upon an empty plate before him. Yet his was not a remarkable distraction for he could offer to the nonentities of common conversation a smile — surprising as one who removes an upturned glass to show, hidden by it, some rare entomological creature whose scientific name he had not learned. What else is there to add? The small extravagances of his dress were hardly noticeable in one whose fortune had always seemed oddly matched against a taste for old flannel trousers and tweed coats. Now in his ice-smooth sharkskin with the scarlet cummerbund he seemed only what he should always have been — the richest and most handsome of the city’s bankers: those true foundlings of the gut. People felt that at last he had come into his own. This was how someone of his place and fortune should live. Only the diplomatic corps smelt in this new prodigality a run of hidden motives, a plot perhaps to capture the King, and began to haunt his drawing-room with their studied politenesses. Under the slothful or foppish faces one was conscious of curiosity stirring, a desire to study Nessim’s motives and designs, for nowadays the King was a frequent visitor to the great house. Meanwhile all this advanced the central situation not at all. It was as if the action which Nessim had been contemplating grew with such infinite slowness, like a stalactite, that there was time for all this to fill the interval — the rockets ploughing their furrows of sparks across the velvet sky, piercing deeper and ever deeper into the night where Justine and I lay, locked in each other’s arms and minds. In the still water of the fountains one saw the splash of human faces, ignited by these gold and scarlet stars as they rose hissing into heaven like thirsty swans. In the darkness, the warm hand on my arm, I could watch the autumn sky thrown into convulsions of coloured light with the calm of someone for whom the whole unmerited pain of the human world had receded and diffused itself — as pain does when it goes on too long, spreading from a specific member to flood a whole area of the body or the mind. The lovely grooves of the rockets upon the dark sky filled us only with the sense of a breath-taking congruence to the whole nature of the world of love which was soon to relinquish us. This particular night was full of a rare summer lightning: and hardly had the display ended when from the desert to the east a thin crust of thunder formed like a scab upon the melodious silence. A light rain fell, youthful and refreshing, and all at once the darkness was full of figures hurrying back into the shelter of the lamplit houses, dresses held ankle-high and voices raised in shrill pleasure. The lamps printed for a second their bare bodies against the transparent materials which sheathed them. For our part we turned wordlessly into the alcove behind the sweet-smelling box-hedges and lay down upon the stone bench carved in the shape of a swan. The laughing chattering crowd poured across the entrance of the alcove towards the light; we lay in the cradle of darkness feeling the gentle prickle of the rain upon our faces. The last fuses were being defiantly lit by men in dinner-jackets and through her hair I saw the last pale comets gliding up into the darkness. I tasted, with the glowing pleasure of the colour in my brain, the warm guiltless pressure of her tongue upon mine, her arms upon mine. The magnitude of this happiness — we could not speak but gazed abundantly at each other with eyes full of unshed tears. From the house came the dry snap of champagne-corks and the laughter of human beings. ‘Never an evening alone now.’ ‘What is happening to Nessim?’ ‘I no longer know. When there is something to hide one becomes an actor. It forces all the people round one to act as well.’ The same man, it was true, walked about on the surface of their common life — the same considerate, gentle punctual man: but in a horrifying sense everything had changed, he was no longer there. ‘We’ve abandoned each other’ she said in a small expiring whisper and drawing herself closer pressed to the very hilt of sense and sound the kisses which were like summaries of all we had shared, held precariously for a moment in our hands, before they should overflow into the surrounding darkness and forsake us. And yet it was as if in every embrace she were saying to herself: ‘Perhaps through this very thing, which hurts so much and which I do not want ever to end — maybe through this I shall find my way back to Nessim.’ I was filled suddenly by an intolerable depression. Later, walking about in the strident native quarter with its jabbing lights and flesh-wearing smells, I wondered as I had always wondered, where time was leading us. And as if to test the validity of the very emotions upon which so much love and anxiety could base themselves I turned into a lighted booth decorated by a strip of cinema poster — the huge half-face of a screen-lover, meaningless as the belly of a whale turned upwards in death — and sat down upon the customer’s stool, as one might in a barber’s shop, to wait my turn. A dirty curtain was drawn across the inner door and from behind it came faint sounds, as of the congress of creatures unknown to science, not specially revolting — indeed interesting as the natural sciences are for those who have abandoned any claims of cultivating a sensibility. I was of course drunk by this time and exhausted — drunk as much on Justine as upon the thinpaper-bodied Pol Roget. There was a tarbush lying upon the chair beside me and absently I put it on my head. It was faintly warm and sticky inside and the thick leather lining clung to my forehead. ‘I want to know what it really means’ I told myself in a mirror whose cracks had been pasted over with the trimmings of postage stamps. I meant of course the whole portentous scrimmage of sex itself, the act of penetration which could lead a man to despair for the sake of a creature with two breasts and le croissant as the picturesque Levant slang has it. The sound within had increased to a sly groaning and squeaking — a combustible human voice adding itself to the jostling of an ancient wooden-slatted bed. This was presumably the identical undifferentiated act which Justine and I shared with the common world to which we belonged. How did it differ? How far had our feelings carried us from the truth of the simple, devoid beast-like act itself? To what extent was the treacherous mind — with its interminable catalogue raisonné of the heart — responsible? I wished to answer an unanswerable question; but I was so desperate for certainty that it seemed to me that if I surprised the act in its natural state, motivated by scientific money and not love, as yet undamaged by the idea, I might surprise the truth of my own feelings and desires. Impatient to deliver myself from the question I lifted the curtain and stepped softly into the cubicle which was fitfully lighted by a buzzing staggering paraffin lamp turned down low. The bed was inhabited by an indistinct mass of flesh moving in many places at once, vaguely stirring like an ant-heap. It took me some moments to define the pale and hairy limbs of an elderly man from those of his partner — the greenish-hued whiteness of convex woman with a boa constrictor’s head — a head crowned with spokes of toiling black hair which trailed over the edges of the filthy mattress. My sudden appearance must have suggested a police raid for it was followed by a gasp and complete silence. It was as if the ant-hill had suddenly become deserted. The man gave a groan and a startled half-glance in my direction and then as if to escape detection buried his head between the immense breasts of the woman. It was impossible to explain to them that I was investigating nothing more particular than the act upon which they were engaged. I advanced to the bed firmly, apologetically, and with what must have seemed a vaguely scientific air of detachment I took the rusty bed-rail in my hands and stared down, not upon them for I was hardly conscious of their existence, but upon myself and Melissa, myself and Justine. The woman turned a pair of large gauche charcoal eyes upon me and said something in Arabic. They lay there like the victims of some terrible accident, clumsily engaged, as if in some incoherent experimental fashion they were the first partners in the history of the human race to think out this peculiar means of communication. Their posture, so ludicrous and ill-planned, seemed the result of some early trial which might, after centuries of experiment, evolve into a disposition of bodies as breathlessly congruent as a ballet-position. But nevertheless I recognized that this had been fixed immutably, for all time — this eternally tragic and ludicrous position of engagement. From this sprang all those aspects of love which the wit of poets and madmen had used to elaborate their philosophy of polite distinctions. From this point the sick, the insane started growing; and from here too the disgusted and dispirited faces of the long-married, tied to each other back to back, so to speak, like dogs unable to disengage after coupling. The peal of soft cracked laughter I uttered surprised me, but it reassured my specimens. The man raised his face a few inches and listened attentively as if to assure himself that no policeman could have uttered such a laugh. The woman re-explained me to herself and smiled. ‘Wait one moment’ she cried, waving a white blotched hand in the direction of the curtain, ‘I will not be long.’ And the man, as if reprimanded by her tone, made a few convulsive movements, like a paralytic attempting to walk — impelled not by the demands of pleasure but by the purest courtesy. His expression betrayed an access of politeness — as of someone rising in a crowded tram to surrender his place to a mutilé de la guerre. The woman grunted and her fingers curled up at the edges. Leaving them there, fitted so clumsily together, I stepped laughing out into the street once more to make a circuit of the quarter which still hummed with the derisive, concrete life of men and women. The rain had stopped and the damp ground exhaled the tormentingly lovely scent of clay, bodies and stale jasmine. I began to walk slowly, deeply bemused, and to describe to myself in words this whole quarter of Alexandria for I knew that soon it would be forgotten and revisited only by those whose memories had been appropriated by the fevered city, clinging to the minds of old men like traces of perfume upon a sleeve: Alexandria, the capital of Memory. The narrow street was of baked and scented terra cotta, soft now from rain but not wet. Its whole length was lined with the coloured booths of prostitutes whose thrilling marble bodies were posed modestly each before her doll’s house, as before a shrine. They sat on three-legged stools like oracles wearing coloured slippers, out in the open street. The originality of the lighting gave the whole scene the colours of deathless romance, for instead of being lit from above by electric light the whole street was lit by a series of stabbing carbide-lamps standing upon the ground: throwing thirsty, ravishing violet shadows upwards into the nooks and gables of the dolls’ houses, into the nostrils and eyes of its inhabitants, into the unresisting softness of that furry darkness. I walked slowly among these extraordinary human blooms, reflecting that a city like a human being collects its predispositions, appetites and fears. It grows to maturity, utters its prophets, and declines into hebetude, old age or the loneliness which is worse than either. Unaware that their mother city was dying, the living still sat there in the open street, like caryatids supporting the darkness, the pains of futurity upon their very eyelids; sleeplessly watching, the immortality-hunters, throughout the whole fatidic length of time. Here was a painted booth entirely decorated by fleur-de-lis carefully and correctly drawn upon a peach-coloured ground in royal blue. At its door sat a giant bluish child of a negress, perhaps eighteen years of age, clad in a red flannel nightgown of a vaguely mission-house allure. She wore a crown of dazzling narcissus on her black woollen head. Her hands were gathered humbly in her lap — an apron full of chopped fingers. She resembled a heavenly black bunny sitting at the entrance of a burrow. Next door a woman fragile as a leaf, and next her one like a chemical formula rinsed out by anaemia and cigarette smoke. Everywhere on these brown flapping walls I saw the basic talisman of the country — imprint of a palm with outspread fingers, seeking to ward off the terrors which thronged the darkness outside the lighted town. As I walked past them now they uttered, not human monetary cries, but the soft cooing propositions of doves, their quiet voices filling the street with a cloistral calm. It was not sex they offered in their monotonous seclusion among the yellow flares, but like the true inhabitants of Alexandria, the deep forgetfulness of parturition, compounded of physical pleasures taken without aversion. The dolls’ houses shivered and reeled for a second as the wind of the sea intruded, pressing upon loose fragments of cloth, unfastened partitions. One house lacked any backcloth whatever and staring through the door one caught a glimpse of a courtyard with a stunted palm-tree. By the light thrown out from a bucket of burning shavings three girls sat on stools, dressed in torn kimonos, talking in low tones and extending the tips of their fingers to the elf-light. They seemed as rapt, as remote as if they had been sitting around a camp fire on the steppes. (In the back of my mind I could see the great banks of ice — snowdrifts in which Nessim’s champagne-bottles lay, gleaming bluish-green like aged carp in a familiar pond. And as if to restore my memory I smelt my sleeves for traces of Justine’s perfume.) I turned at last into an empty café where I drank coffee served by a Saidi whose grotesque squint seemed to double every object he gazed upon. In the far corner, curled up on a trunk and so still that she was invisible at first sat a very old lady smoking a narguileh which from time to time uttered a soft air-bubble of sound like the voice of a dove. Here I thought the whole story through from beginning to end, starting in the days before I ever knew Melissa and ending somewhere soon in an idle pragmatic death in a city to which I did not belong; I say that I thought it through, but strangely enough I thought of it not as a personal history with an individual accent so much as part of the historical fabric of the place. I described it to myself as part and parcel of the city’s behaviour, completely in keeping with everything that had gone before, and everything that would follow it. It was as if my imagination had become subtly drugged by the ambience of the place and could not respond to personal, individual assessments. I had lost the capacity to feel even the thrill of danger. My sharpest regret, characteristically enough, was for the jumble of manuscript notes which might be left behind. I had always hated the incomplete, the fragmentary. I decided that they at least must be destroyed before I went a step further. I rose to my feet — only to be struck by a sudden realization that the man I had seen in the little booth had been Mnemjian. How was it possible to mistake that misformed back? This thought occupied me as I recrossed the quarter, moving towards the larger thoroughfares in the direction of the sea. I walked across this mirage of narrow intersecting alleys as one might walk across a battlefield which had swallowed up all the friends of one’s youth; yet I could not help in delighting at every scent and sound — a survivor’s delight. Here at one corner stood a flame-swallower with his face turned up to the sky, spouting a column of flame from his mouth which turned black with flapping fumes at the edges and bit a hole in the sky. From time to time he took a swig at a bottle of petrol before throwing back his head once more and gushing flames six feet high. At every corner the violet shadows fell and foundered, striped with human experience — at once savage and tenderly lyrical. I took it as a measure of my maturity that I was filled no longer with despairing self-pity but with a desire to be claimed by the city, enrolled among its trivial or tragic memories — if it so wished. It was equally characteristic that by the time I reached the little flat and disinterred the grey exercise books in which my notes had been scribbled I thought no longer of destroying them. Indeed I sat there in the lamp-light and added to them while Pombal discoursed on life from the other easy chair. ‘Returning to my room I sit silent, listening to the heavy tone of her scent: a smell perhaps composed of flesh, faeces and herbs, all worked into the dense brocade of her being. This is a peculiar type of love for I do not feel that I possess her — nor indeed would wish to do so. It is as if we joined each other only in self-possession, became partners in a common stage of growth. In fact we outrage love, for we have proved the bonds of friendship stronger. These notes, however they may be read, are intended only as a painstaking affectionate commentary on a world into which I have been born to share my most solitary moments — those of coitus — with Justine. I can get no nearer to the truth. ‘Recently, when it had been difficult to see her for one reason or another, I found myself longing so much for her that I went all the way down to Pietrantoni to try and buy a bottle of her perfume. In vain. The good-tempered girl-assistant dabbed my hands with every mark she had in stock and once or twice I thought that I had discovered it. But no. Something was always missing — I suppose the flesh which the perfume merely costumed. The undertow of the body itself was the missing factor. It was only when in desperation I mentioned Justine’s name that the girl turned immediately to the first perfume we had tried. “Why did you not say so at first?” she asked with an air of professional hurt; everyone, her tone implied, knew the perfume Justine used except myself. It was unrecognizable. Nevertheless I was surprised to discover that Jamais de la vie was not among the most expensive or exotic of perfumes.’ (When I took home the little bottle they found in Cohen’s waistcoat-pocket the wraith of Melissa was still there, imprisoned. She could still be detected.) Pombal was reading aloud the long terrible passage from Moeurs which is called ‘The Dummy Speaks’. ‘In all these fortuitous collisions with the male animal I had never known release, no matter what experience I had submitted my body to. I always see in the mirror the image of an ageing fury crying: “J’ai raté mon propre amour — mon amour à moi. Mon amour-propre, mon propre amour. Je l’ai raté. Je n’ai jamais souffert, jamais eu de joie simple et candide.”’ He paused only to say: ‘If this is true you are only taking advantage of an illness in loving her,’ and the remark struck me like the edge of an axe wielded by someone of enormous and unconscious strength.