CHAPTER XVII. Hiram Gum, the Fiddler.

The last red rays of the evening sun disappeared below the mountains and the gray twilight settled over the valley. The mill ceased its rumbling. The mower that all day long had been clicking merrily in the meadow behind the store stood silent in the swaths, and the horses that had drawn it were playfully dipping their noses in the cool waters of the creek. The birds—the plover, the lark and the snipe that had whistled since daybreak over the fields and the robins and sparrows that had chirped overhead in the trees—had long since made themselves comfortable for the impending night. By and by the woods beyond the flats assumed a formless blackness and from their dark midst came the lonely call of the whippoorwill. The horses splashed out of the creek and clattered through the village to the white barn at the end of the street. The Miller padlocked the heavy door of the mill and bid good night to his helper, who trudged away over the bridge swinging his dinner pail. Then he beat[184] the flour out of his cap on the hitching-post and lounged up to the store. He threw himself along the floor, and after propping his back against a pillar, lighted his pipe.

“‘Hen it comes to fiddlin’,” the Chronic Loafer was saying, “they is few men can beat Sam Washin’ton. Why I’ve knowd him to set down at a party at seven at night an’ fiddle till six next mornin’ an’ play a different tune every time.”

“Did you ever hear o’ Hiram Gum?” asked the Patriarch.

“Hiram Gum!” cried the G. A. R. Man. “My father used often to speak o’ him, but he was afore my time. Drowned in the canal.”

“Wonderful, wonderful, I’ve heard tell,” exclaimed the Miller. “I can jest remember seein’ him oncet ’hen I was a wee bit o’ a boy—a leetle man with long hair an’ big eyes an’ a withered arm.”

“Yes, yes,” the old man murmured, beating his stick upon the porch. “An’ a wonderful fiddler was Hiram Gum. They was few ’round these parts could han’le a bow with that man.”

“But Sam Washin’ton’s the best fiddler they is,” the Loafer interposed emphatically.

“My dear man, Hiram Gum was more’n an earthly fiddler,” the Patriarch retorted. “He hed charms. He knowd words.”

“I don’t b’lieve in them charms furder then they ’fect snakes an’ bees.”

[185]

“But Hiram Gum was more’n an ord’nary man, an’ I otter know, fer I remember him well. He was leetle, ez the Miller sayd, an’ hed long black hair an’ a red beard that waved all around his neck, an’ big black eyes, an’ cheeks that shined like they was scoured. Then his left arm was all withered an’ wasn’t no use exceptin’ that he could crook it up like an’ work the long fingers on the fiddle-strings. No one knowd how old Hiram was, no more’n they knowd where he come from ’hen he settled up the walley sixty years ago, fer he never sayd. No one ever dast ask him ’bout sech things, fer he’d jest look black an’ say nawthin’, an’ give you sech a glance with them big eyes that you felt all creepy. Aside from that he was allus a pleasant, cheery kind of a man, an’ talked entertainin’, fer he’d traveled a heap.

“Hiram settled in a little lawg house that stood on South Ridge near where Silver’s peach orchard is now. Peter Billings’s farm joined his lot, an’ it wasn’t long ’fore the leetle man tuk to strollin’ over to see his neighbors of an evenin’. By an’ by he seemed to take a considerable shine fer Peter’s dotter Susan. First no one thot nawthin’ of it, fer it hairdly seemed likely that ez pretty a girl ez she would care much about sech a dried-up leetle speciment ez Hiram Gum. Besides, fer a long time she’d ben keepin’ company with young Jawhn McCullagh, whose father owned ’bout the best piece o’ farmin’ land up the walley.[186] He was a big, fine-lookin’ felly, a bit o’ a boaster, an’ with a likin’ fer his own way.

“So no one ever dreamt anything ’ud come o’ Hiram Gum loafin’ over at Billings’s. But, boys, ’hen you’ve lived ez long ez I hev, an’ seen ez much o’ the worl’ ez I hev, you’ll come to the conclusion that they is a heap o’ truth in the old sayin’ that matches is made in Heaven. But it do seem sometim’s like they wasn’t much time or thot spent in the makin’. Fust thing we heard that Hi hed ben drove off the Billings’s place an’ Susan was kep’ locked in her room fer a week. An’ sech a change ez come over that man. It was airly in the spring ’hen it happened. He’d allus met a man with a hearty ‘howde’ before, but after that he never spoke ’hen he passed. From one o’ the pleasantest o’ men he become one o’ the blackest. From comin’ to store every day, he got to comin’ only ’hen he needed things. The rest o’ the time he spent mopin’ up in his placet on the hill. Susan changed too. She lost color an’ got solemn like. Many a time I seen her leanin’ over the gate, lookin’ away up the ridge to where Hiram’s placet lay.

“Then come the Lander’s big party. It was the last o’ the season fer the hot weather was near ’hen they wasn’t no time fer swingin’ corners, let alone the overheatin’ that ’ud come by it, so everybody in the walley was there. Young an’ old danced that night. They was three sets in[187] the settin’-room an’ two in the kitchen; they was two in the entry an’ one on the porch. Save fer layin’ off at ten o’clock fer sweet-cake an’ cider we done wery leetle restin’. They was mighty few wanted to rest much ’hen Hiram Gum played. He’d no sooner tuk his placet in the corner then every inch o’ the floor was covered with sets. Bow yer corners! an’ we was off.”

The old man beat his stick on the porch and waved his body to and fro.

“My, but that was fiddlin’! It jest went th’oo a man like one o’ them ’lectric shockin’ machines. Yer feet was started an’ away ye went; ole Hiram settin’ there with his withered arm crooked up to hold the fiddle, the long, crooked fingers flyin’ over the strings, the bow goin’ so fast ye could hairdly see it, his big black eyes lookin’ down inter the instermen’, his long hair an’ beard wavin’ ez he swung to an’ fro. Now yer own! Oh, them was dancin’ days ’hen Hi Gum played!

“They never was a more inweterate hat-passer then Hiram, fer be his playin’ he made his livin’, an’ never a note ’ud he make tell they was fifty cents in his ole white beaver. Then he’d play that out an’ ’round he’d come agin. That night he didn’t ast a cent, but jest sat there glum an’ never oncet stopped the music.

“Susan was a wonderful dancer—jest ez quick ez a flash, untirin’, an’ so light on her feet that ye[188] felt like ye was holtin’ to a fairy ’hen ye swung corners with her. She was on the floor continual’. I done one set with her an’ noticed how she could scarce keep her eyes offen Hi. She only danced one set with McCullagh an’ lay kind o’ limp like in swingin’ corners an’ didn’t say nawthin’, so ’hen they finished he left the house. I seen him go out o’ the door with a black look in his face.

“Most all hed gone ’hen I left Lander’s airly in the mornin’. We lived over the river, an’ ez they wasn’t no bridge we use to cross in a couple o’ ole boats that was kep’ tied along the bank jest below the canal lock. I went down over the flat an’ th’oo the woods tell I come to the canal, where I crossed the lock an’ walked along the towpath, whistlin’ all the time fer company. It was a clear night. The moon was shinin’ bright th’oo the trees. The canal was on one side o’ me, an’ th’oo the open places in the bushes on the other I could see the river gleamin’ along. I got to the bend jest a couple of hundred yards above where the boats lay an’ was jest steppin’ out inter the clearin’ there ’hen sudden I heard a loud voice. I stopped. Then it come louder, an’ I recognized Jawhn McCullagh’s rough talk. I went cautious tell I was out o’ the woods. There, jest ahead, I seen him, near the path, facin’ ole Hiram Gum, who, with his fiddle under his arm, was standin’ with his back to the canal, lookin’ quiet at the[189] big felly. I dropped to the ground an’ watched, scarce breathin’ I was so excited.

“Jawhn raised a heavy stick, an’ shook it, an’ stepped slow-like toward the leetle fiddler, crowdin’ him nearer the bank.

“‘Hiram Gum!’ he sayd, ‘I’ve hed ’nough o’ you. Git out o’ this country an’ never come back, or you’ll never fiddle agin!’

“Hiram lowered his fiddle an’ answered, ‘You can’t skeer me, Jawhn McCullagh, fer Susan doesn’t keer fer you!’

“‘You sha’n’t run off with her!’ the other yelled, shakin’ his stick.

“I could see his face workin’ ez he swung his club up an’ down, an’ step be step kep’ edgin’ the leetle felly nearer the wotter. I jest lay tremblin’, I was that frightened, fer I was but a lad in them days. I knowd I otter run out an’ stop it, but ’fore I got me couritch up I hear the soft notes o’ the fiddle. There was ole Hiram with his withered hand holdin’ the instermen’, his long fingers flyin’ over the strings, the bow slidin’ slow like up an’ down.

“‘Swing yer corners, Jawhn!’ he cried, fixin’ them black eyes on the big feller.

“Then the notes come quick an’ short. Jawhn’s stick dropped, an’ his arm fell limp like. He passed one hand confused over his forehead. He bowed. The notes come faster. In another minute he was swingin’ corners with his arms graspin’[190] the air. The dead sticks cracked under his feet ez he flung around. An’ ez ole Hi called the figgers he followed him, yellin’ ’em louder an’ kickin’ like mad. It was the wildest dancin’ ever I seen. He bowed an’ twisted, back’ard an’ for’a’d, an’ chassayed an’ chained, his feet movin’ faster an’ faster ez the notes come quicker an’ quicker an’ the bow slid to an’ fro like lightnin’. Ole Hiram kep’ movin’ ’round cautious like, never takin’ his eyes off the dancer tell he was on the river side an’ Jawhn skippin’ ’round on the beaten towpath.

“Them was awful minutes fer me. I could do nawthin’, fer the playin’ kind o’ spelled me. ’Hen I seen the fiddler begin to move toward the canal an’ the mad dancin’ felly backin’ nearer an’ nearer the bank, I tried to git up but I kicked out with both feet an’ fell sprawlin’ on the groun’.

“‘Back to your corner, Jawhn!’ the ole man called.

“‘Corners next!’ yelled the dancer, kickin’ up his heels an’ th’owin’ out his arms like he was grabbin’ somethin’. Then come an awful cry. They was a splash. He’d gone over the bank.

“I jumped out, fer the music hed stopped, an’ started toward the spot. But ’fore I got there Hiram hed th’owed away his fiddle an’ run to the canal, an’ was down on his knees starin’ inter the wotter. A head come above the surface.[191] Then an arm reached wildly out. The ole man bent over an’ grasped the hand. But it wasn’t no uset, fer he’d nawthin’ to support himself with. He took holt o’ the bank with his withered fingers, but the arm give ’way an’ he toppled over. Fer a minute all was still. I leaned over the wotter an’ waited. They was a ripple toward the middle, an’ two heads come up. I seen Hiram Gum’s long black hair an’ beard an’ his drawn face ez he looked at the sky overhead. Then they disappeared agin. The surface of the canal become quiet an’ still like nawthin’ hed ben happenin’. Then I turned an’ run.

“I flew along the towpath, acrosst the clearin’, inter the woods agin, an’ down toward the river where the boats lay hid among the willer bushes. An’ ez I went crashin’ th’oo the branches I hear a girl’s voice callin’.

“‘Hiram,’ she sais, ‘why was you fiddlin’? I thot you was never comin’.’

“Another second an’ I was th’oo the willers an’ on the bank. There, settin’ in a boat, her hands on the oars ready to pull away, was Susan Billings.”

The Patriarch beat his cane softly on the floor and hummed a snatch of a tune.

There came a short, quick puffing as the Loafer drew on his pipe, until the bright coals shone in the darkness.

“But Sam Washin’ton——”

[192]

The old man arose slowly.

“I don’t keer ’bout Sam Washin’ton. I must be goin’ home. I’ll git the rhuem’tism on sech a night sure, fer I’ve no horse-chestnut in me pocket.”